
When Amelia Earhart was born in 1897, women could not vote, men were legally entitled to their wive’s money and property, and nobody expected women to fly airplanes.
Amelia grew up in Kansas, raised by a mother who unashamedly declared that she had no interest in forming Amelia and her sister into “nice little girls.” Young Amelia shocked the neighbors by wearing bloomers instead of skirts and playing with katydids.
Amelia Earhart was not the first woman to fly airplanes, but she was the first to use her flying ability to gain celebrity status. She curled her naturally-straight hair to achieve a “windswept” look, posed for pictures in stances similar to those of famous aviator Charles Lindberg, and wasted no opportunity to cash in on her fame.
There are few among us who don’t know how this story ends; nonetheless, you may find yourself frantically turning the pages, invested in Amelia despite her flaws, and hoping against hope for a happy ending.

Tally has always known how life works. You start out Little. You become an Ugly. When you turn 16, you undergo an operation that turns you into a Pretty. After that, life is good. Tally can’t wait to be Pretty.
A woman suffering from an unnamed disease–sadness, nervousness, anxiety, mental fogginess–is told she must rest as much as possible. To that end, she and her husband have rented a house in the country, and she is confined to an upstairs room, with only a hideous, maddening yellow wallpaper for company.
After spending a summer alone, Akilah can’t wait for her best friend, Victoria, to return from Nigeria (her country of birth). She’s excited to start fifth grade with her fun-loving friend.
American history, as told in schools, is often white-male-centric. Textbook writers usually do not portray minorities and women as main characters in history; they are relegated to secondary characters and sidebars, only important insofar as how they interact with white males.
Briony Larkin is used to hating herself. Responsible for her sister’s mental affliction and depressed by her beloved Stepmother’s death, Briony lives in a perpetual state of self-torture.